The Sound of Utopia

When Stalin came to power, making music in Russia became dangerous. Composers now had to create work that served the socialist state, and all artistic production was scrutinized for potential subversion. In The Sound of Utopia, Michel Krielaars vividly depicts Soviet musicians and composers struggling to create art in a climate of risk, suspicion and fear. Some successfully toed the ideological line, diluting their work in the process; others ended up facing the Gulag or even death. While some, like Sergei Prokofiev, achieved lasting fame, others were consigned to oblivion, their work still hard to find. As Krielaars traces the twists and turns of these artists' fortunes, he paints a fascinating and disturbing portrait of the absurdity of Soviet musical life - and of the people who crafted sublime melodies under the darkest circumstances.



Michel Krielaars is a writer and a journalist specialising in Eastern Europe and the former Soviet Union, who currently writes for the Dutch daily newspaper NRC. He studied history and Russian at the University of Amsterdam and was a correspondent in Russia between 2007 and 2012. Krielaars has written novels, short-story collections and several books about Russia, including Through Chekov's Glasses and Travels through Russia, which won the Bob den Uyl Prize. He lives in Amsterdam.