Nights in the Iron Hotel

 
Michael Hofmann, a much-praised contributor to Poetry Introduction 5, was born in Germany in 1957 but brought up in Britain. Nights in the Iron Hotel, which won the author a Cholmondeley Award in 1984, is his first full-length volume. Hofmann's poems are marked by a classical authority, a formidable ironic intelligence, wide-ranging subject matter and a unique tone of voice. 'You move the fifty-seven muscles it takes to smile,' Hofmann writes in a poem whose subject is sexual tension - and immediately the reader recognises a world in which emotions are not the usual poetic counters but something truer, more complex and more painful. This quality of disenchantment is served by a... alles anzeigen expand_more

Michael Hofmann, a much-praised contributor to Poetry Introduction 5, was born in Germany in 1957 but brought up in Britain. Nights in the Iron Hotel, which won the author a Cholmondeley Award in 1984, is his first full-length volume. Hofmann's poems are marked by a classical authority, a formidable ironic intelligence, wide-ranging subject matter and a unique tone of voice. 'You move the fifty-seven muscles it takes to smile,'





Hofmann writes in a poem whose subject is sexual tension - and immediately the reader recognises a world in which emotions are not the usual poetic counters but something truer, more complex and more painful. This quality of disenchantment is served by a deceptively laconic style of measured brio.



Michael Hofmann was born in 1957 in Freiburg, Germany, and came to England in 1961. He has published four volumes of poems and won a Cholmondeley Award and the Geoffrey Faber Memorial Prize for poetry. His translations have won many awards, including the Independent's Foreign Fiction Award, the IMPAC Dublin Literary Award and the P.E.N./Book of the Month Club Translation Prize. His reviews and criticism are gathered in Behind the Lines (2001). Ashes for Breakfast- his translations of the poetry of Durs Grunbein - appeared in 2005, and his Selected Poems was published in 2008.



A Poetry Book Society recommendation, at last in Faber's poetry series look.

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